3rd Movement of Antonio Vivaldis Summer Again
Song
Third Movement (consummate)
Antonio Vivaldi
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Vocal
Third Motility (complete)
Antonio Vivaldi
Play on Napster
Released:
Label: Naxos
Songs
Disc 1
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1.
Introduction: Opening, upward-pointing figure
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two.
Answering, downward figure completes the phrase
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3.
Beginning of dialogue
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4.
The nature of musical chat; repetition; ' echo ' effect
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five.
Upward pointing to one ' target ' note
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6.
' Answer ' points to 2, downward notes
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vii.
Same idea repeated 3 times
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8.
The showtime Solo section: birdsong from iii soloists, not one
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9.
Repeat of ' two-pronged ' theme in orchestra
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10.
Orchestra depicts murmuring stream, but still in that location's no real melody
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xi.
Farther illustrative ' water studies '
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12.
Orchestra erupts into thunderstorm
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13.
Orchestral thunder, virtuosic ' lightning ' from soloist - merely still no ' tune '
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14.
oloistic ' birds ' render to the air
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xv.
Variant of opening theme, with ' statement ' betwixt ii notes, one high, one low
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16.
Cue to Showtime Motion
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17.
Beginning Movement (Consummate)
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18.
Scene setting and Principal Theme of 2nd Move
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xix.
Analytical comment and Principal Theme over again
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20.
Principal Theme varied
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21.
Farther variation, tracing slow, descending calibration-steps
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22.
Belittling word of ' pace ' and ' tempo ' ; further variant of main theme
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23.
Vivaldi springs a surprise, reversing management and heightening tension
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24.
Analytical cue to Second Move
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25.
Second Movement (Complete)
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26.
Surreptitious ' bagpipes ' initiate the finale
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27.
Second role of Main Theme: new notes, same rhythm
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28.
An ' echo ' with a differenc
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29.
Reminder of ' echoed ' phrase in its original form
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thirty.
Surprise variant provides springboard into new descending four-note pattern
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31.
Unexpected, ' flowing ' archway of soloist
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32.
The use of ' sequence ' in first extended solo
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33.
Vivaldi prepares expectation...
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34.
... and frustrates it by bringing in a new theme, using his four-note ' motto '
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35.
Violins accompanied by flowing ' commentary ' in lower strings
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36.
Soloist returns with new variant
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37.
Step slows as violins trace another four-annotation scalewise descent
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38.
The peasants render with the main theme, which turns unexpectedly downward
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39.
Intensification as harmonies modify nether broad, descending four-notation ' motto '
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twoscore.
Mini-convulsion transformed into harmonic landslide
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41.
Disquisitional mood-change in soloist's lonely soliloquy
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42.
Cue to restoration of main theme in its entirety equally the movement ends
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43.
Third Movement (consummate)
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44.
Scene setting and opening of First Motility
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45.
Expanded groups of answering phrase
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46.
Upper and lower strings alternately succumb to languor
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47.
Equally in ' Spring ', soloist enters with birdsong
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48.
Orchestra hijacks soloist'south material
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49.
Soloist returns,first every bit turtle-pigeon, and then as goldfinch
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50.
Gentle breezes give away to Northward Fly
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51.
The storm subsides; soloist enters as weeping peasant boy
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52.
Motion ends as storm returns
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53.
Commencement Movement (complete)
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54.
2d movement opens with extremecontrasts
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55.
Second Move (complete)
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56.
Stormy Weather; thunder
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57.
Lightning from upper strings
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58.
More lightning: ' estrus ' lightning from violins, ' fork ' lightning from violas
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59.
Torrential rain, depicted by entire orchestra
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60.
Deferred entry of solo violin, in virtuoso vein
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61.
Peasant'southward failing resolve every bit violin spirals down
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62.
Nature triumphant; soloist draws on orchestra'due south 'rain' music
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63.
The peasant's capitulation
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64.
Tertiary Move (complete)
Disc 2
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i.
Repetitiousness and folk music; the movement'due south opening
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2.
Secondary theme, a closely related evolution of the first
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3.
Solo entry restates the opening theme, ' double-stopping '
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4.
Unexpectedly, a new theme where a repeat might be expected
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5.
The soloist as ' drunk '
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6.
Further violinistic slips and slides
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vii.
Orchestra re-enters with main theme, but is interrupted by the drunkard
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eight.
Other drunks join in ' dialogue ' with the orchestra
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ix.
The orchestral peasants keep their dancing, but things have inverse
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10.
Enter another drunk, courtesy of the virtuoso soloist
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11.
The trip the light fantastic toe breaks upwards
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12.
The drunkard interrupts over again, so falls asleep, breathing heavily
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13.
Conversation amidst the sober peasants leads to their terminal dance
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14.
Kickoff Movement (complete)
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15.
Scene-setting for 2nd Motion
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sixteen.
2d Movement (consummate)
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17.
Similarities between the Third Movement and the First
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18.
Expectation and surprise: Vivaldi tacks on one bar too many
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19.
A case of predictable unpredictablity: novelty and repetition
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20.
Soloist's double-stopping depicts hunting horns
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21.
Orchestra yields to unexpected display of virtuosity by soloist
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22.
Soloist of a sudden takes the role of the fleeing beast
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23.
Symmetrical paralels with Start Movement: ' beast ' / ' drunk ' etc
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24.
Decease of the quarry, end of the move
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25.
Third Movement (complete)
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26.
Orchestral strings enter, part by office; soloist depicts the biting current of air
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27.
Wind subsides and returns, tormenting the trudgers through the snowfall
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28.
Soloist depicts snow flurries
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29.
Soloist'south flurries interrupted by 6 blasts of orchestral wind
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30.
Teeth chattering, and with stamping feet, the travellers finally achieve their goal
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31.
Cue to Get-go Movement as a whole
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32.
Beginning Movement (complete)
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33.
Soloist's ' aria ' accompanied by pizzicato ' raindrops '
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34.
A sequence of unproblematic scales, accompanied by opening rhythm
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35.
2 scalewise ideas for the cost of one: foreground and background
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36.
New, rising calibration-blueprint unfurled with ever-greater breadth
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37.
The pace increases 8-fold in concluding downwards scale
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38.
Against an unvarying tempo, the pace is repeatedly varied
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39.
Foreground / Background
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forty.
Detailed word of foreground / groundwork perceptions; analogies with speech
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41.
2d Motion (consummate)
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42.
Scene-setting; soloist begins for the showtime time
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43.
Soloist rises progressively, in sequence, decoratively outling chord of the home key
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44.
Starting time orchestral department; ace is halved; the undermining onset of chromaticism
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45.
The walkers lose their balance and stylishly fall downward
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46.
Soloist returns as the original solitary walker and strides away from the others
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47.
One tempo, 2 rates of speed: fast for the soloist, boring for the orchestra
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48.
Orchestra evokes the warm winds of the Sirocco
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49.
Answering blast from the Borea, the could wind of the n; struggle for supremacy
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fifty.
Cue to concluding movement
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51.
Third Motion (complete)
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